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  • Brain Captures: Father?

    Brain Captures: Father?

    //

    Mr. Yamba watches Disney movies with me. He observed that, from young, I had a penchant for Arts and Entertainment , so he put me in choirs and drama and debate clubs. He taught me that word, penchant. I told him I wanted to become an actress when older, like Genevieve Nnaji, and he would rent out feature movies from Afa’s shop, and reenact specific parts with me. Blood Sister was his favorite. Mr. Yamba always says my eyes twinkle like the little stars. He kisses my forehead every night, and takes me on dates to my favorite spots, and buys me beignets and yogurts and parfaits. He is perfect. We share inside jokes usually, especially about the time Marie pronounced Filet filette. Mr. Yamba was born to be a wordsmith, that is what I often tell him. He efficiently whips up the most mellifluous poetic pieces in his downtime. He is the reason I write today. He reads my work, and although I hate how critical he gets of them, it is a blessing to have my hero read my work, and even with his sometimes cruel-and-unfair-to-me critique, he says he loves my work. My creative pieces remind him of a hungrier, more passionate, less money-driven Ivo, he tells me. He shares this work with his schoolmates, via a Whatsapp group, and asks for feedback. His friends praise my work every time, and I think one or two have subscribed to my blog, http://www.theramabelle.co. Lovely men. I call them “uncles.” Mr. Yamba works far, and he works hard. On his trips back, he regularly returns with Shea Butter and cloves from Ngaoundere. He whisks both ingredients together to create a supple, enriching concoction, and tells me to use on my skin. He often massages me with this minty, woody, calming blend. I massage him, too, particularly during our Saturday talks; when we decipher the innards and outards of life. He cooks meals with this mixture, too. He’s currently living the life of the Epicurean, so “everything sweet, everything earthy, everything delicious,” he boyishly recites, smiling as his beady eyes get lost in their lids. Additionally, he arduously believes this change in lifestyle has contributed to an extension in his height. This, from someone I have dubbed 2 meters. Mr. Yamba teaches me to be as welcoming as a toddler, as discerning as the bees. Mr. Ivo Yamba is bliss.

    //

    You were a brilliant, creative mind. You wrote books, and you waged and led wars. You taught and raised the country’s most important brains.

    You drove me to school daily, me and my step siblings. You would pick me up from mom’s every weekend, and we would drive to Limbe, and Kribi, sometimes just stay at yours until Monday came searching for us. You would do your utmost best to visit me in Mankon, in school during Visiting Sundays, and when you could not, you would send a handwritten letter to me via mom, and she would read it to me as I struggled to drain the tear-filled buckets that became my eyes. Father’s day was not popularly celebrated where we came from, but because of you I wrote poems, and stories and bought gifts to celebrate the day. And today, I do same.

    Scratch. Scratch that.

    You were not there, you have never been there. In the deep of the night, when I’m suddenly awakened, and I feel like a bullet has been shot through my chest, that void is a result of the non-memory of you. To make this clear, you are the shot. When I pull my hair out, when I clench my fists, it is to escape the painting of you drawn up by my childlike imagination. Again to make it clear, you are the reason. You are reminder that mistakes are not evitable, that mistakes are inherent actions and that mistakes are intentional. That mistakes are an Achu stain, that not even bleach, not even American standard yellow-dye can cover. You represent a sadness, a monumental madness. And you, do I remind them of. But you, will I never become.

    I am happy that I did not buy the gifts, and I am happy that I do not need to buy the gifts. Of what use, of what use would they have been? Do you recall the calls? Remember the messages? Of course you don’t, but where did those land me? Where did they land us? What even is us?

    //

    The Father never shuns me. The Father urges me to go, and watches out for every foe. The Father is a lit candle in an ENEO-stricken home. The Father is the shepherd, and I’m the sheep. I am the prodigal sheep, and the Father drops everything and everybody to look for me, and bring me home. And when the skies are a deep, intense blue, and the moon is its most pronounced visitor, I cry to the Father. And when my eyes are at rest, the Father, He watches over me like the king of the jungle does its clan. The Father has a tissue for every overwhelm. The Father, my chief, He hands me a handkerchief. A fichu. And the Father fills me with hope, with hope for Utopia, for heaven, my haven. And one day I will talk to the Father, in a purple-green crocheted garment on a mountain’s acme, as my face faces the clouds, and He will heed his daughter’s voice, and He will hug every hurt, and He will pamper all pain. The Father celebrates me when my enemies make a jester of me, and He humiliates them, as I watch, seated front row. The Father clothes the roses, and houses the eagles. The Father feeds the orphans, and directs the fish. How much more will He protect little ol’ me?

    ==

    Hello readers, this expression via chosen words is an insight into the writer’s mind – a perfectly rendered reading of her interactions with and expectations of who a father is and ought to be. A mirror? A friend, with you till the very end? An option? A let down? Solace? Soul’s place?

    Rama Kem for The Ramabelle.

  • A Tracey Tune.

    A Tracey Tune.

    It’s in moments like these that resurface the rightful heir.

    A remontada. Chop-chair.

    So, chain all dogs, and cage all snakes.

    Crown in hand, I take my place.

    Seven horses and a carriage.

    This is the part of life I was birthed to meet.

    Me plus music, perfect marriage.

    To these I do submit.

    Peerless pearl, of the upper strata I belong.

    Triumphant treasure, triumphant gem, star-girl’s among.

    Swing low, sweet chariot, baby’s arrived.

    Swing low, sweet chariot, gates open wide.

    Look at the sun as its rays shine on me.

    With vigor, with intentionality.

    Now look at the gods as they bestow blessings on T.

    Paradisiacal bounty.

    Glossary:

    • Chop-Chair: Successor, as understood by Cameroonian pidgin speakers (pidgin is a beaten-down, simplified version of the English language, and oftentimes includes a few other languages. It is usually understood by a specific group of people).
    • T: T, Tracey Chinjong, is a virtuoso in the Cameroonian disc jockey space. She is currently resident DJ at Douala’s prestigious Midnyte club, and K-Hotel. She is the author’s friend.

    Rama Kem for The Ramabelle.

  • Wabi-Sabi.

    Wabi-Sabi.

    Beauty is a god. A god that battles the snakes and the hyenas. A god that carpets your path. A god that brings you the serene. That serene is peace. A peace which passes all understanding. A peace that urges you to take 5am promenades, jubilating after each walk, and tucks you in bed at humane hours. A peace that barters sleep for tranquil, not for pills, not for tablets. Beauty is giving up. And giving in. And trusting in.

    Beauty is release. A release from the stress. Beauty is a womei. A chai. An escape from the fabrications of the mere man. Countless applications for countless rejections. Boundless hopes for boundless blows. Finding yourself up an hour to cock’s crow to jog on the un-tarred, urine-drenched Yaounde roads for the body you envision. Beauty is que sera sera. Beauty is the process. Dancing as your heart is racing, when your heart is aching, laughing when the curtains are fading. You are the frog, never give up.

    Beauty is a choice. The choice to out your abuser. The choice to advocate for the rights of the girl child. The choice to advocate for the enslaved. The choice to empower the young boy. The choice to teach the young boy to speak up against anyone who bullies him. The choice to teach the young boy to not rape. #STOPBOPDA. Beauty is the choice to teach the young ones their rights. The right to freedom. The right to basic education. Beauty is human rights.

    Beauty is relief. A relief from regret. A yearning for a life to have lived. A longing for a relaunch of opportunities past. Beauty is a good cry. Worlds crashing. When sheets and duvets make for the only companions your soul beckons. The only friends you need. Beauty is the magic created after the storms and the clouds disappear. A refocus. An acceptance of reality. A commitment. To self, to those that love said self. Steadfast in the face of decline. Freed from the rewind. Beauty is not reacting to events at 30 in the same way you reacted to them at 20. Change. Tit for tat. A first class flight to newness.

    Beauty is art. Beauty is poetry. The writings of an arabic poet. Words and numbers representative of the sound of anguish, a pelt of limerence. Threads that make you taste the pink in your lover’s lips, the sway of her hips. Chords that made your innards happy-hop. Beauty is the best book you’ve ever read. Alchemy. The flyest fit you’ve ever put on. Beauty is the tribal marks on the fulani woman, and the henna paintings on the sudanese bride.

    Beauty is the hold of a west african man. It’s physical touch and it’s quality time. The 3am conversations, and 3am tweets, and 3am cuddles, and 3am meets. Sex. Silhouette. A tango. Spring’s mango. A language our juices create in your lilac-lighted room, that only our parts will ever understand, will ever sing. Rose. Vanilla. Head. Release. A tattoo, an emblem. A brain-melting forehead kiss. What I imagine love to be.

    Beauty is tonight. Beauty is your beautiful faces, and your eager minds. Beauty is the darker bottle of Booster, and an accurately made Espresso Martini. The thunderous rains of a Conakry Friday. Accra nights. New York mornings. A lily here, Lindt chocolates there. Beauty is your favorite feel-good song. Beauty is your favorite lyric.

    Beauty is you, beauty is me. An amalgam of everything we are, everything we choose to be, everything we work to be.

    Rama Kem for The Ramabelle.

  • Not My Land: Telling Malobe’s Tale (a reupload from May, 2022).

    The clouds were a plum-orange hue. As the birds withdrew to their nests, the greens of the palm leaves and the browns of their bark deepened in shade. Men either retired home after a day’s work of tapping palm wine, farming, splitting wood or fishing, or marched to the nearest bars to bury themselves in crates of Satzenbrau and 33 Export, finishing whatever francs they may have succeeded in gaining that day. It was also routine for them to pester waitresses for small something.

    The off-licenses blasted West Life’s my love and Prince Yerima’s Afo-A-Kom.

    Mothers shouted for children to run back home and wash up in time for dinner, sometimes in a throw of threats. The first to reach home would usually be given the larger piece of meat amongst their siblings.

    With a water-filled basin on her head, Malobe mindlessly sang traditional songs on her as she pranced to the Mbe’s palace. Whilst climbing the hill leading to the palace, two boys, seemingly younger than her, stop her.

    “Ma, we’re hungry,” they mention,

    “Do I look like I’m with food? Na weti?” she retorted swiftly “I clearly have water on my head, and you are asking me about food? You people are lucky I am in a jovial mood today, will you get out of here?”

    “Who are you talking to like this?”

    “Hmm”

    “Wait, are you not the person Mbe put in his house out of pity? What tells you you can talk to us anyhow?”

    “Are you people stupid? Where is your respect? Do you know how old I am”?

    “All this noise you’re making doesn’t affect us, let me just tell you”

    They pushed her to the ground, and her fuchsia-printed loincloth untied. She tried to fight back, even biting one of their jaws but the boys proved stubborn.

    “Please, I am sorry. I am sorry for being rude. Please don’t do this,” she pleaded. “What have I done? What are you doing to me? Why are you doing this to me?”

    Her legs were widely spread, as she was pounded and hammered into, violated.

    Looking into the sky, as the boy continued the massacre, she internally prayed, she wept.

    Lord, did I come to this world to hurt? Did I come to this earth to cry?

    Did I come to this earth to wither? What do these sufferings imply?

    Why me? No mother, no father?

    Why me? Do I deserve this down under?

    I pray that you forgive me, forgive me for whatever I have done.

    But also forgive them, for this sin committed under the sun

    He spat on her face, in the same way you spit out after witnessing an event you consider repulsive, and as he did that he laughed with his friends.

    Ten minutes later, he pulled himself out of her.

    “Let us run, we don’t want someone to see us and report to Mbe”

    “Are you mad? You want to enjoy alone?” his companion snapped.

    “I am not saying that. Someone might report us, we have been here for too long. Do you want to land in trouble with him? Remember you are heading for Yaoundé in two days for your passport appointment. Do you want him to cancel your trip?

    “You are right”

    In shame, in blood and in pain, she was abandoned on the crimson gravel, left writhing in the same way a rodent knocked over by a pushing truck writhes.

    As Malobe got up, she wiped her tears, limping towards the palace, broken bucket in hand.

    She noticed a woman, an old woman watching her from the back of a mango tree.

    Her skin was a burned mahogany, rich in cherry chocolate, and deep in a quasi-black. Her face was egg-shaped, and her eyes were a desolate white, telling a story of pain, and painting a portrait of regret. On the left side of her number-three shaped nose was a pimple, similar to Malobe’s. Even in her senile age, she was what one would call beauty, an older Malobe.

    On her body was a torn, brown, loincloth. It looked like it had not been washed in months. The woman whimpered as tears rolled down her high cheekbones.

    Malobe wobbled towards her.

    “Why are you crying ma? Why did you not shout when you saw what those hooligans did to me? Why did you not come to succor? Why do you cry now? After witnessing the atrocity that was done to me? What use are your tears? What use are your tears to me?”

    “My daughter, you are my daughter, ngwa Malobe, juma fuleuh, I am sorry, I failed you”, the old woman cried, as she walked away from Malobe, walking stick in hand, from Malobe’s sight.

    She ignored everyone who questioned her state, who wondered what happened to her.

    “You went to that man’s house again eh, you’re lucky Mbe is not around. But he will deal with you on his return,” Mado venomously provoked her as soon as she got to the main palace front.

    Malobe looked at her intensely, with fiery tears rushing from down her cheeks.

    “Why is this one crying? Are you remorseful for sleeping with another man other than the man you are married to? Or are you regretting leaving your lover? Six months ago, this happened and Mbe yelled at you, today again. Let him come. I go show you pepper.”

    “Listen,” Malobe said, stopping herself in her words.

    “Look at me, I am already pregnant for him. I am a real woman, what are you?”

    In less than 3 seconds, a deafening slap landed Mado’s jaws, the type to leave engraved fingerprints. Mado immediately returned the favor, and thus started the wrestle episode. Malobe grabbed the broken bucket, pummeling Mado consecutively for what seemed like twenty minutes, halting only after being stopped by the mahogany-skinned woman she had encountered behind the mango tree.

    “You again, what do you want?” Malobe shouted with vehemence.

    “You are my daughter, I am sorry” she says, disappearing thereafter.

    Immediately after Malobe sped to her room, shut the door, and released a great cry.

    Malobe’s room was away from the main palace. It could not even be referred to as room, for it was a hole. A cemented hole with a box for a bed, and sacks-and-mottos for suitcases. It was as wide as a dining table. The young girl made it her home, however, decorating it with plants and clay pots, and empty beer and soft drink bottles covered in wax fabric she put together in her downtime.

    “What happened to Mado, Malobe?” Mbe demanded as he knocked on Malobe’s door twenty minutes afterwards.

    “Mbe, I beg of you, I don’t want to talk.” She responded opening the door made of iron. I have had it in this house with your maltreatment, with your neglect for me. You don’t make love to me, you don’t pamper me, you don’t care for me. What, then, do you want from me? Why am I here?”

    “Are you normal? Is it your chief you’re speaking to as such”?

    “Yes, it is. How dare you? I am enslaved in my own home. I am imprisoned in my own abode. What life is this? I don’t know myself, who are my parents? Who is my mother? My father? I feel like an illusion, I am in constant delusion. I feel hollow. You have disrespected me all my life. If you are not addressing my skin tone and calling me blacky, you are referring to me as ugly or you are comparing me to that idiotic Mado. What sort of a man are you? What sort of chief are you? Mbes are supposed to be adored and revered but I despise you. My body bubbles with how much disdain reserved in it for you. You are supposed to take care of your people, but how can you if you do not take care of your home?”

    “Shut up, you bloody bastard! I saved your family by accepting you as trade! Your father would have died if not for me, you foolish ingrate! Your mother and useless uncle would have starved!”

    With these words, Malobe collapsed.

    The Ramabelle.

  • Discovery: Finding Messiah.

    I’m on the verge of this glory.

    And finally, I’m finding my soul.

    Unjami Nami Kami Kunsani.

    ‘Cuz finally I’m finding my soul.

    Perfumed in grace, the past erased.

    Conquer this race? Oh that I’ll ace.

    You tried to stifle me, a futile chase.

    Now, I’ve found my place.

    There’s no more strife, spirits alive.

    Play me that fife, rejoice and jive,

    The fields are clear, rebirth is here.

    Oh, song of life.

    I’m on the verge of this glory.

    Cuz finally I found my soul.

    Unjami Nami Kami Kunsani.

    ‘Cuz finally I found my soul.

    The Ramabelle.

    Glossary:

    • Unjami Nami Kami Kunsani – It’s a me-God journey, I am one with Him.

    Rama Kem for The Ramabelle.

  • I CAN’T SWIM: DON’T PLAY

    The boy was an all-rounder, a polymath: his classmates even called him Booli-of-all-trades. His parents would send out birthday, Christmas, and teachers’ day gifts, which added to affinity the teachers extended towards him. His Math’s, Language and Literature teachers were always invited to his house for his birthday, and sometimes to family events. Even Mr. Naliman admired the boy.

    During the Inter-Regional Athletic Competition, quartet became triad as a member of the swim athletes’ team came down with a stomach illness that rendered him hospital-bed ridden.

    “The student will not be able to make it, I just received a text message from his mother,’ the Athletic Master frustratingly mentioned, seeking Mr. Naliman’s counsel.

    “What, then, do you suggest?” posed Mr. Naliman.

    “I am going to put Booli in,” declared the Athletics Master.

    “No, not Booli, he cannot swim,” Mr. Naliman revealed.

    “Oh, come off it. You and I know that Booli is the next best thing. He may not be part of the swimming team, but he does swim every weekend, no? His family pool is practically a mini-ocean,” the Athletics Master explained.

    “I know what I am telling you, the boy cannot swim,” rebutted Mr. Naliman as he intuitively scratched his rotund, beer-filled belly.

     “Naliman, would you grow up? Your feud is against his parents, involve him not. Moreover, said dispute happened a year ago. Grow up!” advised the Athletic Master firmly, as he sauntered towards his students, toothpick between lips.

    Behind the teachers’ chambers, where both men had discussed, was a bathroom which carried the sign “DO NOT ENTER. THANK YOU” plastered on it. Booli, who had no luck using other bathrooms present at the establishment, was forced to use this non-functional toilet. He became an unwilling listener to the men’s’ conversation.

    The boy pulled out the bottle of sanitizer in his tote bag, and ran off to his friends.

    He was, then, approached by the Athletic Master agreeing to his proposal.  

    Prior to this event, the year 2021 was the last time Bramann Academy was awarded the gold medal at the Inter-Regional Athletic Competition’s swim portion. It appeared that Booli Chamradan was the school’s four-leaf clover.

    A few hours later, as Booli enjoyed snacks and sweet drinks with his friends in celebration, they heard a loud thump and splash, followed by infantile yells.. “HELP!! BOOLI, PANDRAM, SHAMI, HELP ME” were the elevated noises that Mr. Naliman spread between panting sessions.

    Life would have it that Booli’s friends were non-swim athletes, so all eyes were fixated on the boy to save his teacher. The eighteen-year-old paraded to the pool shore, and thought “surely fifty percent of the splash could be attributed to his rotund belly” as he guffawed externally. He grabbed a blue pen from his back pocket and a sheet of paper from the Pineapple Fanta-sullied white plastic, four-legged table, and on this horizontally-lined sheet a few words were etched. Successively, the boy rummaged through his tote bag to find his ultramarine JBL headphones, which were already Bluetooth-connected to his iPhone 13 ProMax. He crowned himself with this gadget, and bounced away from the scene, bobbing his head.

    Riddled in panic and disbelief,  his friends called the emergency hotline and waited the agents arrived before booking an uber to their respective homes. 

    The thirtieth day of the first month of the year 2023 was the opposite of what a traditional Niadni Sunday looked like. The local women who danced around the town in lurid traditional attires did not dance this Sunday. The district chiefs and their wives who drove on the neighborhood roads and often stepped out to greet the locals did not do so on this Sunday. The local men who made a boisterous music as they drank homemade chai and beriberi and played harmonicas and flutes and accordions did not engage in these activities on this Sunday. Rumors of this melancholy had apparently been spread to the natural elements because tree branches collapsed, and tree barks oozed out a liquid similar in taste and in texture and in smell to ear wax. The clouds failed to impress humanity with customary indigo and vermillion hues, and opted for glib and glum greys. 

    Garbed in all-black saris, kurtas, suits, and sun-glasses to fight the Aibmum rays, Mr. Naliman’s funeral service a fashion-lover’s dream. His family, many of whom were ministers of government and important United Nations personnel, were seated prestigiously at the front of the church. His fellow-teachers and the students of the Academy were situated right after them. In the next row were neighbors and well-wishers.

    After heartfelt and deeply verbose eulogies recited by Mr. Naliman’s most cherished ones, chants and performative dances were presented by two or three artistes who were requested to.

    “And now we will have star student, and communal favorite Booli Chamradan say a few words in honor of our beloved, and on behalf of his fellow students,” the maître d’ordre announced.

    The boy arose from his bench, and dragged his feet through his schoolmates’ squished knees, in the manner of the snake. He accorded a few of them low-fives as he made his way to the end of the bench.

    “Please applaud, this well-suited, well dapper gentle man as he makes his way to the podium.” The maître d’ordre proclaimed.

    When Booli got to the podium, he extended his arms to greet the maître d’ordre, who pulled him in and tapped his back three times as if to warn the boy against forthcoming danger. Booli, however, did not pay any attention to this.

    He shortened his upper body so as to ease access to the church’s microphone. After a few subsonic giggles, the boy pulled out a horizontally-lined sheet from his back pocket. He, then placed this sheet on the sandalwood podium.

    Following an array of subsonic giggles, he dropped his neck and read the words “Remember? I can’t swim.” And with that he strolled off, like a victorious mammalian predator, to the silenced dismay of onlookers.

    Glossary:

    • Niadni – country located in the South of Asia.
    • Aibmum – richest city in Niadni.

    Rama Kem for The Ramabelle.

  • I can’t swim: Talk of Mati.

    Mati, baby Mati.

    That the currents be conquered.

    Move yous legs, to seeds and breads.

    Free yous knees, to fire and grease.

    That the fish and the corals will bow.

    Mati, baby Mati.

    Haka on. Release.  

    Mati, baby Mati.

    Go forth, even further.

    The lions, and the bears and the snakes

    And the rabbits and the wolves and the hares

    Fight the fight, bite for bite.

    Mati, baby Mati

    In your search, you’d finds me theres.

    Mati, mummy Mati.

    Of legion hearts broken, filled with rue I am for you.

    Of a million futures to have chased, yours I should have purchased.

    Alas, positioned by this shores of this multi-distance stream.

    And like the characters in that 80s classic film.

    Mati, mummy Mati.

    I realize that I can’t swim.

    Glossary:

    • Mati – name of child, and as is common in the African context, mother of the child is often called “Mummy [insert child’s name]”

    Rama Kem for The Ramabelle.

  • Yes.

    I curse you.
    For instilling in me hate,
    For this weight,
    For teaching me that black is bitter,
    For teaching me that black is litter.
    I curse you for tainting and taunting
    A girl on the verge of 10
    For bleak, for grim, for then,
    For soiling my fire.

    The Ramabelle.

  • It was me and you..

    I was there:
    When your tears lied
    When the paint of pain dried
    When a hug was insufficient
    When your tongue was heavy
    But your eyes were a choleric music
    When your walk told the story of decline
    When the texts read
    “you’re not mine;”


    I told you:
    I will hold your hand, like you held mine
    Never to part, never to recline
    I will cry with you, for I am thine, desperately so
    I will dance for you, sweet, coy vine, deeply souled
    I see you; I owe you; I am you
    I hold you; I mold you, never to fold you;


    I remember:
    Arms sinewy, our Louis.
    Feet moving to the cadence of the earth
    He was blessed, he was cursed since birth
    But even gods have ashes
    And even gods lick gashes
    An ingest of blood in company of the cloud
    A silent death for a love out loud.

    The Ramabelle.

  • Numb, no place to go.

    I’m afraid I’ve become numb;
    I’m afraid you’ve caught me at a time when a single care, I have none;
    When the pain, the pang no longer is laced in emotion;
    When the pain, the pang no longer is veiled in motion;
    I was once filled with hate and that was alacrity, passion;
    And I once loathed you when fervor, when favor strutted in fashion;
    Waiting for you, needing your action;
    An addiction to your subtraction;
    Today I write about it, I write about you;
    And I choose not to cry about it, not to cry about you;
    And even if I cry about it, I’m no longer shy about you;
    Shelling, spelling, these will longer do.

    The Ramabelle.

40 thoughts on “Home

  1. Oh wow. Wow. I’ve become an ambulance. I love love love your writing. The prose…the flow…the Africanness…I love it.

    Like

  2. Your writing skills are like music to the ears while reading. I am so proud of you. You are such a terrific writer. Do not stop.

    Like

  3. My dear beauts Rama

    You do truly have a gift and thank you for sharing it with us. The words really do come alive as I go through your art.

    Do keep it up so proud of you!

    ❤️❤️❤️

    Like

  4. i have read “Yes.” quite a few times since i came across your publishings in early 2023. it is my favourite because it reminds of a grim betrayal i endured a few years prior at the lies of a very close relative. water was thrown on my fire, but with the aid of my partner, i learned how to stop cursing said betrayer, and light up a bigger fire. keep it up rama. for real, keep it up.

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    1. I am so sorry about your experience, and I’m happy you’re in a better place (I think I am, too). Shout out to your partner 😆 and thank you for reading! I’ll do my best to keep it up 😆

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  5. Finding Messiah is a message of hope and renewal that will resonate with people who are on their own journey of finding their true selves.

    It resonates a lot with me and I truly appreciate how you were able to articulate it into this masterpiece.

    Dear Rama, you are a universe full of wonder!

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      1. I am in awe of your mind. You have a way with words that paint clear pictures and it makes your writing so immersive. Underrated sense of humour as well in I can’t swim (don’t play) but your poetry is my favourite.

        Always looking forward to more ❤

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  6. Your writing soothes my soul.. Malobe’s Tale deserves a part 2. And as I have said before, you snapped with Beauty.

    Looking forward to more uploads (key word-consistency)😘

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